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"I travel with it on the road all the time. Reverb's top selling amp list of 2021 placed the Fender Mustang Micro at number one, that seems like it was the right product at the perfect time. So we're trying to connect the dots across the supply chain to make it beneficial for the retailer, make it more predictable for us to plan." In exchange, we're offer retailers a significant increased margin opportunity. "We'd like to offer guaranteed delivery as well but there's too many supply chain challenges to honestly commit to that, but certainly prioritised delivery. During a period of rampant inflation, currency volatility and on-going supply chain challenges, we felt this would be a real benefit to dealers. If you as a dealer commit your order to us six months in advance you get guaranteed price no matter what happens due to currency or cost pressures, and you get prioritised delivery. "It has, and a new programme we recently communicated to our dealers is a six-month futures programme. Did it change the way you now plan ahead as a company? The huge demand for guitar gear and the challenges to meet that demand over the last couple of years must have put incredible pressure on Fender. We want to grow the entire industry and belief is that new product launches, supported by increasing levels of marketing, will drive industry growth and are spending the money we used to spend on NAMM participation on marketing to drive increased physical and virtual traffic to our dealers." Stealing market share doesn't do anything for the retailer. Our motivation has always been to grow the industry and not just stealing market share. "Never say never, but I don't see a lot of compelling reasons to return to NAMM in its current format. With our online presentations, we can go right down to the sales associate level of retailers, at a fraction of the cost of participating at NAMM. At NAMM we able to talk to the senior leaders of key retail partners, but unable to go deep in their organisation or make elongated presentation of our new product features. The first begins and the second comes in after the first sings “mashko” and then both sing in unison for the rest of the lines until the last word where the first breaks away to start over while the second completes the song."We moved to virtual presentations out of necessity during COVID and we're not moving away from them. (EnviroNative: )Ī note about singing this song: This song is sung in rounds with 2 people or 2 groups. In 2018, the song was used by filmmaker Leah Gerber in “The House that Becky Built” to share the story of Anishinaabe business woman Becky BigCanoe who is working to make a difference in the lives of women who need affordable housing. We sing this song to honour them, and all women.” Many women in P4W lost their lives because of the horrendous conditions there. My understanding, from one of the women I sing with and who went to P4W to work with the women there at that time, that this song emerged as a way of staying alive, of supporting each other in that hell hole. Nancy said “It was these women who had this song come to them.
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Although indigenous women across the globe have long been guardians of human rights, the issue in Canada at the time was a need to revise the Indian Act which removed a woman’s Indian status if she married a non-Indian man. Nancy Stevens reminds those who sing it that the Strong Women’s Song should be credited to the Anishinabe kwewag and Zhoganosh kwewag who were in solitary confinement in the Prison For Women in Kingston, Ontario during the 1970’s. Anishinaabe translations by Miskwaasining Nagamojig.
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This song was introduced to Miskwaasining Nagamojig (Swamp Singers) by the Ode’min Kwe Singers. Song performed by local women’s hand drum group, Miskwaasining Nagamojig (Swamp Singers)